The Perfect Couple Read online

  Copyright

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

  Copyright © 2018 by Elin Hilderbrand

  Cover design by Mario J. Pulice

  Cover photo-illustration by Debra Lill

  Author photograph by Nina Subin

  Cover © 2018 Hachette Book Group, Inc.

  Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

  The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.

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  First ebook edition: June 2018

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  ISBN 978-0-316-37524-5

  E3-20180502-JV-PC

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Saturday, July 7, 2018, 5:53 a.m.

  The Chief

  Friday, July 6, 2018, 9:15 a.m.

  Greer

  Karen

  Saturday, July 7, 2018, 6:45 a.m.

  The Chief

  Saturday, October 22, 2016

  Celeste

  Saturday, July 7, 2018, 7:00 a.m.

  Friday, May 18–Saturday, May 19, 2018

  Tag

  Saturday, July 7, 2018, 8:30 a.m.

  The Chief

  Friday, July 6, 2018, 4:00 p.m.

  Karen

  Greer

  Monday, October 24, 2016

  Celeste

  Saturday, July 7, 2018, 9:30 a.m.

  Nantucket

  Friday, July 6, 2018, 8:30 p.m.

  Karen

  Saturday, July 7, 2018, 10:20 a.m.

  Wednesday, May 30–Tuesday, June 19, 2018

  Tag

  Saturday, July 7, 2018, 12:00 p.m.

  Nantucket

  Saturday, July 7, 2018, 12:30 p.m.

  The Chief

  Thursday, June 22–Friday, June 23, 2017

  Celeste

  Friday, July 6, 2018, 11:15 p.m.

  Karen

  Saturday, July 7, 2018, 12:45 p.m.

  Nantucket

  Saturday, July 7, 2018, 2:00 p.m.

  The Chief

  Saturday, August 12–Monday, August 21, 2017

  Celeste

  Saturday, July 7, 2018, 1:12 p.m.

  Nantucket

  Karen

  Saturday, July 7, 2018, 2:47 p.m.

  The Chief

  August 2017

  Celeste

  Saturday, July 7, 2018, 3:30 p.m.

  Greer

  Saturday, July 7, 2018, 4:00 p.m.

  Nantucket

  Tag

  Sunday, June 10, 2018

  Celeste

  Saturday, July 7, 2018, 5:15 p.m.

  Nantucket

  Karen

  Greer

  Tuesday, July 3–Friday, July 6, 2018

  Celeste

  Saturday, July 7, 2018, 5:45 p.m.

  The Chief

  Saturday, July 7, 2018, 6:55 p.m.

  Nantucket

  Saturday, July 7, 2018, 8:00 p.m.

  Greer

  Sunday, July 8, 2018, 2:47 a.m.

  Nantucket

  Acknowledgments

  Discover More Elin Hilderbrand

  About the Author

  Also by Elin Hilderbrand

  For Chuck and Margie Marino

  There’s no such thing as a perfect couple, but you come pretty close.

  Forever love xo

  Saturday, July 7, 2018, 5:53 a.m.

  THE CHIEF

  A phone call before six on a Saturday morning is never a good thing, although it’s not unheard of on a holiday weekend. Too many times to count, Chief Ed Kapenash of the Nantucket Police Department has seen the Fourth of July go sideways. The most common accident is a person blowing off a finger while lighting fireworks. Sometimes things are more serious. One year, they lost a swimmer to the riptide; another year, a man drank ten shots of Patrón Añejo and then did a backflip off the roof of the Allserve building and hit the water in such a way that his neck snapped. There are generally enough drunk-and-disorderlies to fill a sightseeing bus, as well as dozens of fistfights, a handful of which are so serious that the police have to get involved.

  When the call comes in, Andrea and the kids are fast asleep. Chloe and Finn are sixteen, an age the Chief escaped easily with his own children, he now realizes. Chloe and Finn—who are properly the children of Andrea’s cousin Tess and Tess’s husband, Greg, who died in a boating accident nine years ago—are proving to be more of a challenge. Finn has a girlfriend named Lola Budd, and their young love is turning the household upside down. Finn’s twin sister, Chloe, has a summer job working for Siobhan Crispin at Island Fare, Nantucket’s busiest catering company.

  The Chief and Andrea have divided their concerns about the twins neatly down the middle. Andrea worries about Finn getting Lola Budd pregnant (though the Chief, awkwardly, presented Finn with a giant box of condoms and a rather stern directive: Use these. Every single time). The Chief worries about Chloe getting into drugs and alcohol. The Chief has seen again and again the way the food-and-beverage industry leads its unsuspecting employees into temptation. The island of Nantucket has over a hundred liquor licenses; other, similar-size towns in Massachusetts have an average of twelve. As a summertime resort, the island has a culture of celebration, frivolity, excess. It’s the Chief’s job to give the annual substance-abuse talk the week before the high-school prom; this year, both Finn and Chloe had been in attendance, and afterward, neither of them would so much as look at him.

  He often feels he’s too old for the enormous responsibility of raising teenagers. And impressing them is most certainly beyond him.

  The Chief takes his phone out onto the back deck, which looks west over protected wetlands; his conversations here are private, overheard only by the redwing blackbirds and the field mice. The house has a great view of sunsets but not, unfortunately, of the water.

  The call is from Sergeant Dickson, one of the best in the department.

  “Ed,” he says. “We have a floater.”

  The Chief closes his eyes. Dickson had been the one to tell the Chief that Tess and Greg were dead. Sergeant Dickson has no problem delivering disturbing news; in fact, he seems to relish it.

  “Go ahead,” the Chief says.

  “Caucasian female by the name of Merritt Monaco. Twenty-nine years old, from New York City, here on Nantucket for a wedding. She was found floating facedown just off the shore in front of three-three-three Monomoy Road, where the wedding is being held. The cause of death appears to be drowning. Roger Pelton called it in. You know Roger, the guy who does the expensive weddings?”

  “I do,” the Chief says. The Chief is
in Rotary Club with Roger Pelton.

  “Roger told me it’s his MO to check on each wedding site first thing in the morning,” Dickson says. “When he got here, he said he heard screaming. Turns out, the bride had just pulled the body out of the water. Roger tried CPR but the girl was dead, he said. He seemed to think she’d been dead for a few hours.”

  “That’s for the ME to determine,” the Chief says. “Three-three-three Monomoy Road, you said?”

  “It’s a compound,” Dickson says. “Main house, two guest cottages, and a pool house. The name of the property is Summerland.”

  Summerland. The Chief has seen the sign, though he has never been to the house. That stretch of Monomoy Road is the stratospherically high-rent district. The people who live on that road generally don’t have problems that require the police. The houses have sophisticated security systems, and the residents use discretion to keep any issues under wraps.

  “Has everyone else been notified?” the Chief asks. “The state police? The ME?”

  “Affirmative,” Dickson says. “The Greek is on his way to the address now. He was here on island last night, lucky for us. But both Cash and Elsonhurst are on vacay until Monday and I’m at the end of a double, so I don’t know who else you want to call in. The other guys are kind of green—”

  “I’ll worry about that in a minute,” the Chief says. “Does the girl have family to notify?”

  “I’m not sure,” Dickson says. “The bride was so upset that I told the EMTs to take her to the hospital. She needed a Xanax, and badly. She could barely breathe, much less speak.”

  “The paper will have to leave this alone until we notify next of kin,” the Chief says. Which is one small piece of good news; the last thing the Chief wants is Jordan Randolph from the Nantucket Standard sniffing around his crime scene. The Chief can’t believe he missed the 911 call on the scanner. Over the years he has developed an uncanny filter where the scanner is concerned; he knows, even in his sleep, what deserves his attention and what he can let pass. But now he has a dead body.

  They have to assume foul play by law, although here on Nantucket, violent crime is rare. The Chief has been working on this island for nearly thirty years and in all that time, he has seen only three homicides. One per decade.

  Roger Pelton called it in. The Chief has heard Roger’s name recently. Really recently, at some point in the past couple of days. And a compound in Monomoy—that rings a bell too. But why?

  He hears a light tap on the window, and through the glass slider, he sees Andrea in her nightshirt, holding up a cup of coffee. Chloe is moving around the kitchen behind her, dressed in her catering uniform of white shirt and black pants.

  Chloe is awake already? the Chief thinks. At six o’clock in the morning? Or did she get home so late last night that she fell asleep in her clothes?

  Yes, he thinks. She worked a rehearsal dinner the night before. Then it clicks: Chloe told the Chief that the rehearsal dinner and the wedding were being held in Monomoy and that Roger was the wedding coordinator. It’s the same wedding. The Chief shakes his head, even though he knows better than anyone that this is a small island.

  “Was the woman you found staying at the compound where the wedding is taking place today?” the Chief asks.

  “Affirmative,” Dickson says. “She was the maid of honor, Chief. I don’t think there’s going to be any wedding.”

  Andrea, possibly recognizing the expression on the Chief’s face, steps out to the deck, hands Ed his coffee, and disappears inside. Chloe has vanished. She has probably headed upstairs to shower for work, which will now be canceled. News like this travels fast; the Chief expects that Siobhan Crispin will be calling at any moment.

  What else did Chloe say about that wedding? One of the families is British, the mother famous somehow—an actress? A theater actress? A playwright? Something.

  The Chief takes the first sip of his coffee. “You’re still on-site, correct, Dickson? Have you talked to anyone other than the bride and Roger?”

  “Yeah, I talked to the groom,” Dickson says. “He wanted to go with the bride to the hospital. But first he went inside one of the guest cottages to grab his wallet and his phone and he came right back out to tell me the best man is missing.”

  “Missing?” the Chief says. “Is it possible we have two people dead?”

  “I checked the water, down the beach, and out a few hundred yards in both directions with my field glasses,” Dickson says. “It was all clear. But at this point, I’d say anything is possible.”

  “Tell the Greek to wait for me, please,” the Chief says. “I’m on my way.”

  Friday, July 6, 2018, 9:15 a.m.

  GREER

  Greer Garrison Winbury thrives on tradition, protocol, and decorum but on the occasion of her younger son’s wedding, she is happy to toss all three out the window. It’s customary for the bride’s parents to host and pay for their daughter’s nuptials, but if that were the case with Benji and Celeste, the wedding would be taking place in a church at the mall with a reception following at TGI Fridays.

  You’re a terrific snob, Greer, her husband, Tag, is fond of saying. Greer fears that this is true. But where Benji’s wedding was concerned, she had to intervene. Look what she’d endured when Thomas married Abigail Freeman: a Texas wedding, with all of Mr. Freeman’s oil money on grand, grotesque display. There had been three hundred people at the “welcome party” at the Salt Lick BBQ—Greer had hoped to live her whole life without ever patronizing a place called the Salt Lick BBQ—where the suggested dress code was “hill-country casual,” and when Greer asked Thomas what that could possibly mean, he’d said, Wear jeans, Mom.

  Wear jeans to her elder son’s wedding celebration? Greer had opted for wide-legged ivory trousers and stacked Ferragamo heels. Ivory had turned out to be a poor choice, as the guests of this welcome party had all been expected to eat pork ribs with their fingers. Shrieks of joy had gone up when there had been a surprise appearance by a country singer named George Strait, whom everyone called “the King of Country.” Greer still can’t imagine how much it must have cost Mr. Freeman to hire the King of Country—and for an event that wasn’t even part of the usual nuptial schedule.

  As Greer drives the Defender 90 (Tag had it rebuilt and shipped over from England) down to the Hy-Line ferry to pick up Celeste’s parents, Bruce and Karen Otis, she sings along to the radio. It’s B. J. Thomas’s “Hooked on a Feeling.”

  This weekend, Greer is effectively the bride’s mother as well as the groom’s, for she is 100 percent in charge. She hasn’t encountered one iota of resistance from anyone, including Celeste herself; the girl responds to all of Greer’s suggestions with the exact same text: Sounds good. (Greer despises texting, but if one wants to communicate with Millennials, one must abandon old-fashioned notions like expecting to speak on the phone.) Greer has to admit, it has been far easier to get her way with the color scheme, the invitations, the flowers, and the caterer than she ever anticipated. It’s as if this were her own wedding, thirty-two years later… minus her overbearing mother and grandmother, who insisted on an afternoon reception in the sweltering garden of Swallowcroft, and minus a fiancé who insisted on a stag party the night before the wedding. Tag had gotten home at seven o’clock in the morning smelling of Bushmills and Chanel No. 9. When Greer had started weeping and demanding to know if he’d actually had the gall to sleep with another woman the night before his wedding, Greer’s mother took her aside and told her that the most important skill required in marriage was picking one’s battles.

  Make sure they’re ones you can win, her mother had said.

  Greer has tried to remain vigilant where Tag’s fidelity is concerned, although it has been exhausting with a man as charismatic as her husband. Greer has never found hard evidence of any indiscretions, but she has certainly had her suspicions. She has them right up to this very minute about a woman named Featherleigh Dale, who will be arriving on Nantucket from London in a few short hours.
If Featherleigh is silly and careless enough to wear the silver-lace ring with the pink, yellow, and blue sapphires—Greer knows exactly what the ring looks like because Jessica Hicks, the jeweler, showed her a picture!—then Greer’s hunch will be confirmed.

  Greer encounters traffic on Union Street. She should have left more time; she cannot be late for the Otises. Greer has yet to meet either of Celeste’s parents in person and she would like to make a good impression and not leave them to wander forlornly around Straight Wharf on this, their first trip to the island. Greer had worried about hosting a wedding so close to the Fourth of July, but it was the only weekend that worked over the course of the entire summer and they couldn’t put it off until autumn because Karen, Celeste’s mother, has stage 4 breast cancer. No one knows how much time she has left.

  The song ends, traffic comes to a dead stop, and the sense of foreboding that Greer has successfully held at bay until now fills the car like a foul smell. Usually, Greer feels unsettled about only two things: her husband and her writing, and the writing always sorts itself out in the end (declining book sales aside, although, really, it’s Greer’s job to write the mysteries, not sell them). But now she worries about… well, if she has to pinpoint the exact locus of her dismay she would say it is Celeste. The ease with which Greer has been able to take control of this wedding suddenly seems suspect. As Greer’s mother used to say, Things that seem too good to be true usually are.

  It’s as if Celeste doesn’t care about the wedding. At all. How had Greer ignored this possibility for four months? She had reasoned that Celeste was (wisely) deferring to—or placing extreme confidence in—Greer’s impeccable taste. Or that Celeste’s only agenda was getting the wedding planned as expediently as possible because of her mother’s illness.

  But now, other factors come into focus, such as the stutter Celeste developed shortly after the date was set. The stutter began with Celeste repeating certain words or short phrases, but it has become something more serious, even debilitating—Celeste trips over her r’s and m’s and p’s until she grows pink in the face.

  Greer asked Benji if the stutter was creating problems for Celeste at work. Celeste is the assistant director at the Bronx Zoo and she is occasionally called upon to give lectures to the zoo’s visitors—mostly schoolchildren during the week and foreigners on the weekends—so Celeste has to speak slowly and clearly. Benji replied that Celeste rarely stuttered at work. Mostly just at home and when she was out socially.